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CUT to the CHASE, page 1

Picture

TRY AND CATCH ME
DESCRIPTION:
On the move or melting into shadows, this Lalo Schifrin-esque jazzy sojourn paints a vivid picture of movement, danger, fear and our basic instinct to RUN.

LENGTH:  2:44
KEY:  E major
TEMPO:  90 BPM
MIXES/EDITS:  FULL, UNDERSCORE,
:30 and :60 commercial cutdowns.

QUICKSILVER
DESCRIPTION:
Relentless attack of measure after measure of pumping thumping musical energy. This uptempo energetic electrocut will spin your head around and propel you forward!

LENGTH:  3:36
KEY:  C major
TEMPO: 128 BPM
MIXES/EDITS:  FULL, UNDERSCORE,
:30 and :60 commercial cutdowns.

FOOT CHASE
DESCRIPTION:
Japanese Taiko drums layered and mixed with African kettle drums, provide the fire power for this tension builder from top to tail.  BIG drums.  BIG sounds. BIG IMPACT!

LENGTH:  1:00
KEY:  N/A
TEMPO: 126 BPM
MIXES/EDITS:   
:30 and :60 commercial cutdowns.

FINAL CHASE
DESCRIPTION:
Uber-intensity drives this bad boy, heaving 
FX and percussion combined with "slick" Rick production tricks make this chase the last and FINAL CHASE.


LENGTH:
  3:06
KEY:  D minor
TEMPO:  142 BPM
MIXES/EDITS:  FULL, UNDERSCORE,
:30 and :60 commercial cutdowns.

BLACK LIGHTNING
DESCRIPTION:
Electro-pulse sequencing opens this super-high NRG techno rave, as each new piece of the pocket is gradually introduced.  At :22 a staccato bass, at :36 comes four on the floor kicks and the full band...HANG ON!

LENGTH:  3:16
KEY:  C major
TEMPO:  130 BPM
MIXES/EDITS:  FULL, UNDERSCORE,
:30 and :60 commercial cutdowns.

CUT TO THE CHASE
DESCRIPTION:
Opening with a menacing dark drone, track evolves into a push and pull and twist and turn, increasing speed in the after-burn...



LENGTH:
 3:48
KEY:   A major
TEMPO:  140 BPM
MIXES/EDITS:  FULL, UNDERSCORE,
:30 and :60 commercial cutdowns.

go to page 2
piano collection
haunted beauty
atmospHeres + textures
csi: crime scene improv
around the world
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Piano Collection pg.2
Haunted Beauty pg. 2
Atmospheres and Textures pg.2
Cut to the Chase pg.2
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Kabuki Carnivale pg. 2
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